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At the end of the 19th century, an American art student went to Paris, read a play, and lost his grip on reality.
The play was called The King in Yellow.
Having read it, head reeling from absinthe, bedeviled by unseen adversaries, he realized that the alien world it described, Carcosa, had sunk its traces throughout the City of Lights.
As he explored Paris in search of its decadent influence, he created a scrapbook. A guide for himself, and for those who would come after him.
Yoked together from existing travelogues, newspapers, and the disquieting ephemera of the occult tradition, it laid out a skewed portrait of a haunted city:
In the margins appear the increasingly fervid scrawls of the anonymous compiler. Through them determined investigators of the Yellow Sign mystery will learn: